Helped produce a hybrid live/recorded TEDx event. I built and wrote copy for a user-friendly website targeted at attendees, designed a TEDx sign, and coordinated with external contractors to build set elements.

Coordinated a series of Covid-safe film screenings and designed posters for each. Each film was followed by a Q&A to discuss the highlights and learnings. I loved working on these events because they mixed education and entertainment to capture students' interest at a time during the pandemic when engagement was at its lowest.

I co-led communications and brand marketing at Blueberry, a boutique talent agency. Email open rates quadrupled and social media engagement soared. My work helped editors, designers and artists attract new clients. It raised Blueberry's profile and made their message stronger.

I co-designed a major online hub and covid-safe protocol for Film & TV students that allowed them to keep making films during Covid. I also handled social media and set up some great remote classes with industry experts.

Helped organise, install, promote and host over 50 exhibitions and events while supporting the galleries' digital marketing efforts and assisting with charity initiatives. Truly one of the best student jobs I could have asked for!

In response to a growing demand for handmade website, I hosted a small meetup in Folkestone in Summer 2024 and promoted it with a landing page built to be as lightweight as possible.

I edited and translated an interview between Nicoletta De Santoli & Domenico De Leo. This is featured in the 3rd edition of Passing Notes. *Cover art: Tim McFarlane, Seen and Heard Today Tomorrow Forever, 2022*

A micro invitation to lose yourself in the unspoken, this expanded poem encourages reflection on the intangible nature of time.

Web-based work incorporating poetry, photographs, and semi-generative audio-visual elements. These fragments reveal themselves as the user interacts - almost by instinct - with the browser's canvas. The work articulates personal sentiments about "home", what (and who) makes one, and how to find meaning living between homes.

[Audio works only on desktop]

Can re-framing social media content as a stream of consciousness tell the story of how it came to be?

Three Years contains all my tweets from April 2016 to February 2019 – more than a thousand entries. I presented the book at the opening of "528" (an exhibition I co-curated) where I performed an uninterrupted 2:30 hrs live reading.

A semi-autonomous program that generated and tweeted 500+ exhibition titles for fictional art exhibitions, from the hilarious to the grotesque. It tweeted daily for two years between 2018 - 2021.

Interactive web-work based on Clemens Meyer's homonymous story. The site guides you through extracts from the story, accompanied by corrupted sketches and a forklift spun in space. The whole is soundtracked by a music piece I composed to enrich the experience.

As a concert photographer for the webzine Getintothis, I captured shots of concerts in Liverpool and the Merseyside area. My gig photography portfolio includes artists like Nas, Idles, Real Estates, Tom Grennan, Nathan Fake, and Stealing Sheep.

I made, released and performed music under my own name and the aliases Mountain King and Young Offices. I played in cover bands, dj'd and performed my own music at informal gigs in Italy and England. I also studied and practiced guitar, composition and music technology for several years until 2017, when my creative practice expanded into other areas.

Personal essays in newsletter form for people who dare to live creative lives. We talk about the nature of being creative and living through trauma, and share cool stuff I find on the web.

Exhibition catalogue, Q&As, and the opening essay "Playing to the Net".

Exhibition essay for "Feed Your Demons and Meet the Ally".

A great refresher on content marketing, lead gen, inbound campaigns and performance analysis.

Learned to craft messages that stick and and to examine the content I make with a keen eye.

Taught me how to curate exhibitions on the web—before COVID brought online shows into the mainstream. I also learned skills I didn't know I'd need years later, like promoting very niche events!

An online exhibition and accompanying catalogue focusing on the ways in which emerging artists and curators have been affected by the increasingly dystopian internet culture of the last decade.

Enes Alba, Atom Chen, Dario Bucheli, and Perce Jerrom presented work. I held Q&As with Lisa Barnard, Pita Arreola-Burns, Elliott Burns, Valentina Peri, Ghislaine Boddington, and Walter Corneli. Put it all in a catalogue that travelled the web and gave back to it more than it took.

Co-curated with David Waterworth, this exhibition showcased the work of four University of Greenwich graduates—John Joseph Watters, Grace Diggens, Marilia Lezou and Rhiannon Ashley. Each of them working in an interdisciplinary field, doing their bit to make a positive impact on our environment and our community.

Feature on "How to Feel More at Home" by Banyi Huang on Issue 25 of Show and Tell.

My BTS photos got featured in News Articles by Story Futures as well as a series of articles on Virtual Production written by Dr. Jodi Nelson Tabor and scholars at the University of Greenwich.

Image “Untitled(2)” was published in Issue 04: "Self" of Harbor Review, an independent online space and publication for poetry and art.

I released an EP in 2016 under the name Mountain King. Rockit, Italy's music biggest music portal, gave it a nod. Not bad, they said. Not bad at all.