• Attended committee meetings to propose, discuss and advance employees welfare.

• Facilitated open communication among committee members, company boards, and regular employees.

• Collaborated with fellow members manage the year-end-party for all 2000 employees.

I worked as an E&O planner at HP inc. for 3 years. I worked with external and internal clients across Taiwan, China, US, and India all the time. My main responsibility was to make sure ODM's excess amount claim over HP was accurate.

I took some photography work during my university time. Some portraits for student events and some behind the scenes photography for student films.

I was serving ice cream and selling cakes here.

My worked on the publishing and marketing of several films in Taiwan including The Road to Mandalay, Early Summer, and An Impossibly Small Object.

This is a project I did with my friend Thom. In the shot I tested out how to create looping simulations of fire, clothes, and fur moving through the wind.

The story is about the summon of Mimmzy into the mortal world. The process requires a portrait of Michael Scott.

Breakdown article coming soon.

This shot was created in Houdini 20.0 with particles and flip solvers following a video by Entegma. I was responsible for all aspects for this shot. The shot was lit and rendered with Karma XPU in solaris. Compositing was done in Nuke.

This is a project I did with my animator friend Thom Lu.

He is responsible for the animation. And I'm responsible for fur grooming, cloud generation, crowd FX, environment FX, lighting and compositing.

Breakdown article coming soon.

This is the shot I worked on with Dgenz studio for Nespresso. I was responsible for 3D camera track, 2D plate clean-up, modeling, texturing, lighting, and fluid and smoke simulation. Finishing comp, grading, and sound effects are done by another artist Pablo Saltiveri.

In this shot, the ocean was created with native flip and whitewater tools in Houdini. It was composited in Nuke with a card background. Check out the hi-res version and my other works on my Vimeo.

I was responsible for all aspects except for the flippy model which is a test geometry in Houdini.

In this shot, the fire was simulated with Axiom solver and then used to drive the velocity of the smoke. And the AOVs were denoised in Houdini and composited in Nuke. Check out the hi-res version and my other works on my Vimeo.

I was responsible for all aspects except for the models and the textures.

In this shot, the explosions were simulated with animated timescale in Axiom solver in Houdini. It was composited in Nuke with a card background. Check out the hi-res version and my other works on my Vimeo.

I was responsible for all aspects except for the background photo and the grass and rock models.

In this shot, the liquid simulations are done with native Houdini solvers. And the AOVs were denoised in Houdini and composited in Nuke with some extra elements. Check out the hi-res version and my other works on my Vimeo.

I was responsible for all aspects except for the models of trees and rocks, and the shaders of the snow and the river.

In this shot, the particles were created with built-in POP solver and advection volumes from Axiom solver. And the AOVs were denoised composited in Nuke with some extra elements. Check out the hi-res version and my other works on my Vimeo.

I was responsible for all aspects except for the models and the textures.

In this shot, the footage was 3D tracked in Nuke and then went through Maya and Houdini for geometry modeling and effects simulation. The renders and the extra shadow pass were brought back in Nuke for composing. Check out the hi-res version and my other works on my Vimeo.

I was responsible for all aspects except for the background footage.

In this shot, I modeled a low poly character in Maya; textured it in Substance Painter and then applied a Mixamo animation. I exported the animation alembic to Houdini for effects simulation. I first did some smoke sims and then used it to advect particles. I then sent everything to Unreal Engine to render with a scene I built with mega scan models. Check out the hi-res version and my other works on my Vimeo.

I was responsible for all aspects except for the character animation and the environment.

When I was in VFS, one of the class required us to create a mood reel which we could pretty much put anything in. This is mine and it does present my motivation and inspiration to become a film maker.

I played around with the fur tool in Houdini and did some test render.

I was creating some funny renders for my own custom t-shirt printing and this was what I came up with. Pikachu textures in Substance Painter and Fur was created with Houdini hair tool. Other assets were from kitbash and sketchfab.

Just turned my shot into a 50s TOEI movie and I really liked it.

Curation of my photography work mainly for student event commercials and student film behind the scenes.

Most of the photos were taken during my university years when I was also taking some freelance work.