```cv
vimeo
{"url":"https://vimeo.com/432770761?embedded=true&source=vimeo_logo&owner=16117022","width":426,"height":240,"thumbnail":"https://i.vimeocdn.com/video/914817105-4ec21751119bb7c4e9c256d3728eaeee8f4be9032292f28cb92e522495db770b-d_295x166"}
```

For Dolby's ongoing site-specific installations at its unique gallery space in San Francisco, we created an augmented reality audiovisual quest across three imaginary planets. Asteria, inspired by Nasa's Jet Propulsion Laboratory and cosmic mythology, consists of a 3-act, mobile AR experience for iOS devices synchronized with a 12 minute film that plays on loop on the gallery’s 64-foot LED wrap around wall.

After San Francisco, we repurposed the content into an immersive installation with 4 massive wrap-around screens, floor projections, and 32-channel Dolby Atmos cinematic sound with real-time interactive sound effects. People were transported to 3 different planetary worlds in the year 2027, where they could interact (via different modes of tracking) with each environment by setting off lasers, throwing boulders, and playing with their reflections in water.\
\
Ultimately over the course of its executions, users were able to engage with the awe-inspiring worlds of Asteria across multiple media ranging from augmented reality to audiovisual content, immersive experiential and interactive web.

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F4fe52a71-3046-4207-a0dd-f5e4ea22a2fc.jpg?alt=media&token=1193c4c5-a066-45a5-9265-d642a8fd5be2","id":"4fe52a71-3046-4207-a0dd-f5e4ea22a2fc","width":5513,"height":3101,"filename":"ZQ9aOqEk.jpeg","type":"image/jpeg","caption":"","border":false}]}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2Ff7a5c90d-8ea6-4a59-a03c-394db73bc2c7.jpg?alt=media&token=e9988327-be58-429f-a815-26433e1c4984","id":"f7a5c90d-8ea6-4a59-a03c-394db73bc2c7","width":2048,"height":1152,"filename":"Gu9kOKTA.jpeg","type":"image/jpeg","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2Fdec42869-706f-4b1b-ad2e-d5bfb42039c7.jpg?alt=media&token=5c837ad7-7acf-4aaa-a923-6a34d94bb8a2","id":"dec42869-706f-4b1b-ad2e-d5bfb42039c7","width":2048,"height":1152,"filename":"X97qPtR4.jpeg","type":"image/jpeg","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F8ef77e96-6a55-4571-a28d-b7bb3bd180ff.jpg?alt=media&token=d2fc373a-1ee1-44a7-b565-00b48617663d","id":"8ef77e96-6a55-4571-a28d-b7bb3bd180ff","width":2048,"height":1152,"filename":"gmgtvZls.jpeg","type":"image/jpeg","caption":"","border":false}]}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F94705626-6e03-499f-b72d-8d3bfebdb6a6.jpg?alt=media&token=2196fced-073d-4bec-a184-16cd3edd796b","id":"94705626-6e03-499f-b72d-8d3bfebdb6a6","width":2048,"height":1152,"filename":"mwoaHY5g.jpeg","type":"image/jpeg","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F4e845dd9-52e7-43f5-9d09-c505b74894f8.jpg?alt=media&token=f5ebf807-beb2-43ea-b069-3a0d3509faf1","id":"4e845dd9-52e7-43f5-9d09-c505b74894f8","width":5669,"height":3189,"filename":"CWIcLXXk.jpeg","type":"image/jpeg","caption":"","border":false}]}
```

## **Chrysalis**

On the extreme perimeter of the galaxy Andromeda is the planet Chrysalis, the youngest of the three worlds.\
\
Named for its emergent terrestrial properties, Chrysalis is emerging from a series of major tectonic events during which its landscape was molded. Perhaps the most striking feature of Chrysalis is how much its surface resembles that of prehistoric Earth. So much so that astrogeologists refer to the planet as a Pliocene, the epoch that Earth emerged from 2 million years ago.\
\
The approach to Chrysalis is harrowing.\
\
The planet is surrounded by a thick asteroid belt that circles slowly in orbit. On the perimeter is a massive ring-shaped object called the Sentinel.\
\
Approaching in a night pass from beyond the terminator line, xO-9’s descent pulls back the dark curtain of night. This daybreak fly-over illuminates a desert rippled with dunes. And dotted with unidentifiable orbs of light that give the sense of nascent life.\
\
Cosmic rain pummels a dark mountainous terrain, spurring mudslides and electrical storms that look as if the xO-9 has journeyed to the heart of a Tesla coil.\
\
Chrysalis is orbited by not one but two dwarf stars that transit like spotlights across a prison planet. A spectral borealis throws a translucent layer on the sky that feels like skin vanishing from the cocoon of an embryonic world.\
\
One light year beyond Chrysalis lies the planetary cluster called Luca Prima.

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F83e7baf7-6249-4371-8366-c684ea8eacdb.png?alt=media&token=0af0dab3-eac4-4378-97e4-80fe6e2a2678","id":"83e7baf7-6249-4371-8366-c684ea8eacdb","width":1509,"height":528,"filename":"D6XKs1Gk.png","type":"image/png","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2Fc4382484-9c8b-4792-90b7-d57dcf61c69c.png?alt=media&token=4efefe54-0c26-4db0-80ee-fc558295fe7e","id":"c4382484-9c8b-4792-90b7-d57dcf61c69c","width":1512,"height":536,"filename":"ocbAdcm4.png","type":"image/png","caption":"","border":false}]}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2Fab18c775-68e3-4e8f-b161-cc18ec820754.png?alt=media&token=822b338d-6784-4d21-b9ed-c0e0fe4f26c1","id":"ab18c775-68e3-4e8f-b161-cc18ec820754","width":1512,"height":136,"filename":"cosQpmdU.png","type":"image/png","caption":"","border":false}]}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F875ca437-e5e1-4b73-a523-45cec445f8c9.png?alt=media&token=dd1fdcbd-c747-4658-bd0a-4d89cdacd979","id":"875ca437-e5e1-4b73-a523-45cec445f8c9","width":1508,"height":143,"filename":"sU_FbkVA.png","type":"image/png","caption":"","border":false}]}
```

## **Luca Prima (I, II, III)**

Though a further distance from Earth than Chrysalis, the three planets of Luca Prima were detected first. A discovery made by astronomers at NASA’s Jet Propulsion Laboratory through an observational technique called microlensing, which is caused by the deflection of light by a massive object.\
\
And massive they are.\
\
The xO-9 probe spend five years exploring these Neptune-sized exoplanets that are approximately 10 times the mass of Earth. And the closest in evolution to Earth than any planetoid ever to be detected by our telescopes.\
\
Perhaps it is fitting for worlds of such cosmic immensity to have three of their own suns orbiting in a geocentric formulation. This a reminder of the pre-Copernican model, which placed the Earth in the center of our universe.\
\
Though the three planets are nearly identical in size and terrestrial features, the presence of Uranus-like rings around Luca Prima I (LP I) create a breathtaking spectacle as the xO-9 breaches the perimeter of the cluster.\
\
The first images broadcast from the probe’s descent to LP I are of a watery world bathed in the light of what appears to be perpetual daybreak. Algae blooms shimmer on the surface of LPI’s massive Archyon sea, while the xO-9’s multi-beam sonar equipment reveals the existence of vast underwater coral reefs. And inland, freshwater rivers flow from a system of mountain ranges that traverse each of the planet’s eleven continents.\
\
All determiners of potential, viable habitats for extraterrestrial life.\
\
But the gravitational anomalies of Luca Prima caution that this is a strange and alien world. Astrophysicists have been mystified by the massive, multi-ton boulders that float, like weightless armadas, just above the terrain.

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F7db51cb5-83ae-4057-a2fa-4c00ae4711f6.png?alt=media&token=39bf10c7-06d8-44dd-820f-5ea6f94fa586","id":"7db51cb5-83ae-4057-a2fa-4c00ae4711f6","width":1514,"height":536,"filename":"5stkVHaM.png","type":"image/png","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F35a88674-e48a-4800-aea2-e2d7b294bdd6.png?alt=media&token=3d6a989f-f0eb-4c88-8a9a-0b478e5fc044","id":"35a88674-e48a-4800-aea2-e2d7b294bdd6","width":1510,"height":524,"filename":"0GnLHaRg.png","type":"image/png","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F41ebad8e-ec29-4b2d-a6ee-c425eafad5b2.png?alt=media&token=4d382f2d-2541-4424-92e8-69594131eeba","id":"41ebad8e-ec29-4b2d-a6ee-c425eafad5b2","width":1508,"height":531,"filename":"viaguPW4.png","type":"image/png","caption":"","border":false}]}
```

## **Elektra**

On the edge of the galaxy Andromeda, and hidden within the constellation Cassiopeia, lies NGC 185, a dwarf galaxy that is home to the planet Elektra.\
\
Tiny in comparison to the Earth. Elektra has a radius 2,460 miles and is roughly the same size as Mars. Ingress was difficult as the planet is orbited by plasma-filled asteroids, up to ten times its size. This was complicated by the high velocity of solar wind in the planet’s magnetosphere - the region of space dominated by the exoplanet’s magnetic field.\
\
Upon its breach of Elektra’s ionosphere, the xO-9 began to pick up high levels of radiation that initially blanked the probe’s monitoring instruments. Once contact was restored, NASA began to detect massive emissions from the surface. Initial visual collects indicated these were laser beams unlike anything recorded in space.\
\
Surveys of the landscape indicated large dome-like structures and radio frequencies originating from a system of complex astral trenches.\
\
The probe maintained its trajectory and, once operational within the atmosphere, began to return images of what NASA now can confirm is an advanced civilization of extraterrestrial life. As it approached one of the domes, the xO-9 received a transmission that SETI analysts could not decipher.\
\
Moments after its receipt of the alien message, JPL lost contact with the xO-9 probe and assumed the worst of fates in this mysterious plane.

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2F5d00e4c0-5524-488c-85c5-41a2c824ff82.png?alt=media&token=a308a45f-ed31-4bd5-97d6-d7275106ad69","id":"5d00e4c0-5524-488c-85c5-41a2c824ff82","width":1506,"height":527,"filename":"_-o9ozk0.png","type":"image/png","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2F49El1V1jw3aJK5b5pCez%2Fc893d8b0-5a63-47b9-aa35-0bad02172a5c.png?alt=media&token=8ef7a861-1e99-4916-833e-57c957b6b440","id":"c893d8b0-5a63-47b9-aa35-0bad02172a5c","width":1510,"height":536,"filename":"GvqwIkZY.png","type":"image/png","caption":"","border":false}]}
```

## Credits

at **[Tool of North America](http://toolofna.com/)**\
for **[Dolby Laboratories](https://www.dolby.com/us/en/index.html)**

Director: **GMUNK**\
Lead Unity Artist: **Jeffrey Bryant**\
Composer: **Keith Ruggiero**\
Concept Writer: **Stephen Marshall**\
Production Company: **Tool**\
Managing Partner: **Dustin Callif**\
Executive Producer: **Julia Sourikoff**\
Head Of Production: **Chris Kaliszewski**\
\
Client: **Dolby**\
Creative Director: **Robin Juan**\
Executive Producer: **Amanda Schneider**\
Technical Director: **John Loose**\
Technical Adviser: **Bennett Schatz**\
Sound Mix: **Erik Foreman**\
\
NASA Consultant: **Sasha Samochina**\
Unity Consultant: **Timoni West**

Asteria: Immersive

```cv
vimeo
{"url":"https://vimeo.com/240894377","width":640,"height":360,"thumbnail":"https://i.vimeocdn.com/video/664509699-2618a849f6c412148ca5852ba517a54fe6c56435b78d55b5bd2d7555f82f0707-d_640"}
```

mood roads is an interactive driving experience created for Acura and was exhibited at the 2017 Sundance Film Festival. I was brought on by [Tool of North America](http://toolofna.com/) to lead a team of developers into translating the conceptual vision of renowned Director [GMUNK](http://gmunk.com/) into a reality.\
\
Role: Lead Developer\
Developed in Unity3D

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FHu4yD0t1bFO7I6PhDOuy%2F60911d49-ac5b-4edb-978f-d848d1d83b6e.jpg?alt=media&token=d35eceec-700b-440e-ae44-eddc6e9f3a26","id":"60911d49-ac5b-4edb-978f-d848d1d83b6e","width":3840,"height":1440,"filename":"ACURA_L1_PC_fr05_3840.jpg","type":"image/jpeg","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FHu4yD0t1bFO7I6PhDOuy%2Fd580d595-bf98-4a3e-8641-9ff72922fe0c.jpg?alt=media&token=9c6bdf1c-d4e7-4210-be5d-80f82198ebbb","id":"d580d595-bf98-4a3e-8641-9ff72922fe0c","width":3840,"height":1440,"filename":"ACURA_L1_PC_fr07_3840.jpg","type":"image/jpeg","caption":"","border":false},{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FHu4yD0t1bFO7I6PhDOuy%2Fae1afc13-0568-455b-b61d-c06f6d3ea529.jpg?alt=media&token=fa525853-6d5a-4c3f-bf89-085c77fb4d11","id":"ae1afc13-0568-455b-b61d-c06f6d3ea529","width":3840,"height":1440,"filename":"ACURA_L1_PC_fr01_3840.jpg","type":"image/jpeg","caption":"","border":false}]}
```

I was given a set of concept images and videos from GMUNK's visual design team and was tasked to translate it into a working version in Unity3D. I worked closely with Tool's producers and [Spinifex Group's](https://spinifexgroup.com/) hardware team making sure the visuals elements were tied to their hardware. As a lead developer on this project, I was responsible for taking these tasks and turning them into actionable steps for the rest of our development team. 

An[ Emotiv EEG Headset](https://www.emotiv.com/) was directly connected to the scene and would take your heart rate, emotions, and brain wave states to allow control of parameters like the speed of particles in the scene, the speed of the car, colors, day and night cycle. Their "motion sphere" cage was tied to the features of the virtual track we had built, banking, rotating, and applying force as the track progresses along.

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FHu4yD0t1bFO7I6PhDOuy%2F11339db0-53f5-4638-beb9-53b7a2fde784.png?alt=media&token=0ae96e73-8ee0-4d48-81dc-bc7d5ac805bf","id":"11339db0-53f5-4638-beb9-53b7a2fde784","width":1200,"height":670,"filename":"MR6.png","type":"image/png","caption":"","border":false}]}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FHu4yD0t1bFO7I6PhDOuy%2F55542950-0498-4a30-bf8c-cd1fe32b6244.png?alt=media&token=09a1ba24-15bc-4729-9aa6-8c7ff30b25e5","id":"55542950-0498-4a30-bf8c-cd1fe32b6244","width":1340,"height":819,"filename":"Screen-Shot-2016-11-12-at-2.46.37-AM_1340_c.png","type":"image/png","caption":"Designing the track outline which would control the motion sphere","border":false}]}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FHu4yD0t1bFO7I6PhDOuy%2F6d54f7c6-88dc-44f1-b512-f8fd06c6f469.png?alt=media&token=770e60c7-ca90-4a25-8616-f6f6c165791c","id":"6d54f7c6-88dc-44f1-b512-f8fd06c6f469","width":1438,"height":848,"filename":"Screen-Shot-2016-11-12-at-4.10.17-AM_1438.png","type":"image/png","caption":"Day/night cycle implementation","border":false}]}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FHu4yD0t1bFO7I6PhDOuy%2F78421d7a-57ed-430f-8603-ff8256a28e1f.png?alt=media&token=e61db9b5-bcc6-453a-b4a3-06205a66687d","id":"78421d7a-57ed-430f-8603-ff8256a28e1f","width":2250,"height":898,"filename":"Screen-Shot-2016-11-14-at-9.22.35-PM_2250.png","type":"image/png","caption":"Particle system whose speed was tied to the EEG headset feed.","border":false}]}
```

```cv
vimeo
{"url":"https://vimeo.com/202980227","width":640,"height":360,"thumbnail":"https://i.vimeocdn.com/video/621497620-fb8acd72ad5982e12dd9b84b56e123fd0a55cc47c60bf9a5f548ae916d78dcee-d_640"}
```

## Credits

at **[Tool of North America](http://toolofna.com/)**\
for **[Mullen Lowe, Los Angeles](http://us.mullenlowe.com/about/)**

Interactive Director: **Bradley G Munkowitz**\
Design Director: **Bradley G Munkowitz**\
Digital Executive Producer: **Dustin Califf**\
Executive Producer: **Chris Neff**\
Lead Producer: **Chris Kaliszewski**\
Lead Unity Developer: **Jeffrey Bryant**\
Level One Design / Animation: **Peter Clark**\
Level Two Design / Animation: **Christoffer Bjerre**\
Level Two Alt Design / Animation: **Conor Grebel**\
Level Three Design / Animation: **Michael Rigley**\
Level Three Animation: **Sam Cividanis**\
Sound & Music Design: **Keith Ruggiero**

Mood Roads

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FdiY0eWmjr3I4XDabsHs8%2F6a5f460b-b12c-428c-9b6b-d6fc79c22840.jpg?alt=media&token=06017bc7-e7c7-4e39-a108-929ab6d4b54c","id":"6a5f460b-b12c-428c-9b6b-d6fc79c22840","width":2280,"height":1282,"filename":"IO+Cover.jpg","type":"image/jpeg","caption":"","border":false}]}
```

Together with Novel, we helped Google showcase the possibilities of ARCore's latest developer release at Google I/O 2019. Each of the 5 experiences we designed help to highlight the potentials of both joy and purpose that AR can add to our physical space.

## **ARCore Demos**

* Lighting Estimation

* Cloud Anchors

* Augmented Images

* Augmented Faces

* Web AR

## **The Developer Sandbox**

A cohesive space gave developers a chance to experience the APIs first-hand: Environmental HDR, Cloud Anchors, Augmented Images, Scene Viewer and Augmented Faces.

[View Keynote](https://www.youtube.com/watch?v=BlM2T1beKbg)

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FdiY0eWmjr3I4XDabsHs8%2F2176e032-3800-42c0-bf5f-7f99a861ed39.jpg?alt=media&token=c6d5c632-2f6d-4c91-90dc-13846b3da688","id":"2176e032-3800-42c0-bf5f-7f99a861ed39","width":2880,"height":1398,"filename":"5d4369f9a345e57f3e147f29_space.jpg","type":"image/jpeg","caption":"","border":false}]}
```

## **Life's a garden. Dig it, together.**

AR experiences are more fun when they’re shared. ARCore's Cloud Anchors API let's users create collaborative experiences that Android and iOS users can share. To showcase this, we created a digital ecosystem that let participants grow a garden together.

```cv
vimeo
{"url":"https://vimeo.com/340962545","width":1920,"height":1080,"thumbnail":"https://i.vimeocdn.com/video/789446854-37002cee8a983bc24cb852accbd4eb6642b23b756527def2fb15357b27811f05-d_100x75"}
```

```cv
gallery
{"layout":"hscroll","images":[{"src":"https://firebasestorage.googleapis.com/v0/b/maitake-project.appspot.com/o/pages%2F3JNmbjy96aXfyO91V64d8sClOK02%2FdiY0eWmjr3I4XDabsHs8%2Fa3657527-2d50-4cf0-a4d0-8d1891637569.jpg?alt=media&token=0c31869d-7b07-4ef5-8400-fdf078b2a4e3","id":"a3657527-2d50-4cf0-a4d0-8d1891637569","width":2280,"height":1818,"filename":"5d520e4a2d295f42198f1cb6_Group 15 (1).jpg","type":"image/jpeg","caption":"","border":false}]}
```

## UX

With persistent tracking, the physical world can become a video game by relaying the position of digital objects to every device in real-time. As users moved around the physical table, magical seeds promoted places in the garden users could plant. Each position spawned a new plant species creating a unique garden with each collective session.

```cv
gallery
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```

```cv
gallery
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```

```cv
gallery
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```

## **From bean to cup.**

Augmented reality provides new ways for brands to showcase their value to customers. With ARCore's Augmented Images API you can create spatial experiences using a simple image. To demonstrate a retail use-case, we created an interactive walkthrough that gave users a novel perspective of a Breville at-home espresso machine.

With gaze activated feature points, users could explore the machine physically, while visualizing the espresso making process from their own perspective.

```cv
gallery
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```

## **Look, no depth sensor.**

Augmented Faces API gives developers a high-quality digital face mesh to create filters and games without a front facing depth sensor. To show developers the mesh capabilities, we created two face filters that promoted mouth triggers, head position, and a lot of fun.

```cv
gallery
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```

## Press

[Designing AR Applications (Google I/O'19)](https://youtu.be/BlM2T1beKbg?t=10)

[What's new in AR / VR at Google I/O 2019](https://www.androidcentral.com/whats-new-ar-vr-google-io-2019)

[Google IO 2019's best exhibit wasn't even there](https://www.techradar.com/news/google-io-2019s-best-exhibit-wasnt-even-there)

```cv
gallery
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```

## **Credits**

ECD - Jeff Linnell\
Creative Director - Jeremy Stewart\
Design Technologist - Brandon Kruysman\
Design Technologist - Jonathan Proto\
Executive Producer - Julia Gottlieb\
Producer - Jeff Mackie\
Unity Developer - Jeffrey Bryant\
Development - VirtuLabs\
3D Design/Animation - Maciek Janicki\
3D Design - Peter Tarka\
Texture Artist - Patrick Hillstead\
Video Production -  Stebs, Natalie Rhold\
BTS - Aaron Pruitt, Dakota Wilder, Andrew Devansky

Google IO AR Sandbox

Software Developer

Innovative Use of Interactive/Technology - Silver

Augmented Reality - Gold

Responsive Design - Gold

Out-Of-Home Installation - Silver

Innovative Use of Interactive/Technology - Gold

FWA of the Day

A successor to Asteria that surrounds you in a room full of breathtaking interplanetary environments, spatial audio, and kinetic interaction.

Coca Cola x FIFA World Cup NFT

An interactive driving experience created for Acura.

gold currents

Lululemon: Augmented Installations

AR filters for Messenger

Interactive WebGL Homepage

Fluid Identities: An Interactive Installation

willow: an NFT marketplace for the metaverse

willow

An AR activated immersive art installation

Asteria

SF Tech Poetics

Guest Speaker

bounding main

PhoenixDAO Presents: NFTs & The Evolution of Art

PizzaDAO & reach lang Presents: Reach to The Moon

Choose Your Own Adventure: Making Your Career as an Independent Artist Today

the evolution of gold currents

Audiovisual Art with Bullet and Ableton

Augmented Reality: This World And The One Next Door

Lead the development of a Unity build for Acura’s Sundance Festival installation Mood Roads with a given timeline of 4 weeks. Completed in 3 days.

Lead Developer

Lead the technical art development for Zynga's first NFT project Sugartown and helped advise the artists on the team. \
Unity Development on their WebGL browser based world map game. 

Senior Technical Artist

Developed AR effects for Facebook Messenger, with billions in usage, worked with brand partners to create promotional effects

Technical Artist V

Developed live visuals in Unity for touring musicians Ryan Hemsworth and Brodinski as well as a large scale projection mapping for Bandaloop

Creative Developer

Developed a series of installations and AR projects for Lululemon, Dolby, and Google I/O.

Developed a TouchDesigner based video and real time generative content system for a 75 ft. projection wall tailored for Fortune 500 clients such as Salesforce, Facebook, Google, Intel.

Created over 20 interactive installations within a span of a year. 
Exhibited works at sold out festivals and events across the US, Canada, and Europe with an average attendance of 1,000 people per event.

Jeffrey Bryant

2022