• Worked as a highly cross-departmental shared resource (engineering, gui, marketing, product stakeholders) who's day to day spanned across prototyping, FX implementation, source recording, debugging, metadata creation & management, vendor management and all other audio-centric tasks required to successfully steward a product’s lifecycle.
• Created and managed preset libraries, ensuring sonic signature of each title was appropriately represented.
• Led process to leverage wavetable synthesis audio format including research, documentation, and design.
• Oversaw preset design process and management of entire over 100 patches worth of library content for vintage keyboard studio software product (Electra 88 Vintage Keyboard Studio).

• Opal Morphing Synthesizer: 2023 TEC Award Winner in Music Instrument Software

• Electra 88: 2024 TEC Award Nominee in Music Instrument Software

Composed 400+ original music loops (mixed, mastered, and formatted to specifications) to include in launch of Output Inc’s Arcade platform. These compositions are now used as “creative starts” for all Arcade subscribers.

Designed original performable instruments from personally sampled audio sources to avoid usage of tools that would conflict with IP agreements.

Consulted on musical direction and contributed to creative meetings to provide expertise for upcoming releases.

Developed curriculum and led instruction focused on Ableton proficiency, sound design, music theory, and arrangement. Instructed over 100 students and held one-on-one office hours and mentorship sessions.

Outlined and implemented a one-year Composition and Music Theory course, which integrated instrumental proficiency with modern music production techniques.

Hosted workshops and weekend drop-in classes for the public.

As a Sound Designer, it was a dream come true to work on this stunning Rhodes studio suite. I contributed to prototypes, UX design, managed preset creation and was a vital tester during all phases of development.

My main roles in helping get this stunningly faithful Hammond B3 emulation to market was prototyping, preset design and ceaseless testing.

This beast of a synth was an absolute joy to contribute to! I spearheaded the research and development for wavetable design, contributed to UX decisions and managed a talented team of sound designers during the extensive preset creation phase.

As a contracted content creator for Output's "playable sample library", Arcade, I composed 400+ unique loops using software instruments I built from original recordings, found sounds and synthesis techniques.