Kicking this year off with a new look 🌐

Showcasing current projects and a selection from the archive.

Development by Arvin Leeuwis

We worked alongside Ramp’s internal teams to reimagine their product graphic system, helping them to showcase their tools, features and impact in an entirely new way.

An explorative website to encompass Micaiah Carter's debut monograph, What's My Name. It speaks on the family lineage, community, and blending of the past and present in African American life. Engage with interactive features showcasing the book and floating spreads to catch a preview of the printed copy.

Creative Direction: Tal Midyan, Arvin Leeuwis
Development: Arvin Leeuwis
Digital Design: Kalok Yeung
3D: Margarida Serra

Phantom is a user-friendly crypto wallet. Our goal for the website was to create an environment where everyone can learn about the world of web3. The website is designed to be fun, cute, and accessible for exploration. We utilised the card principle as the foundation of the website, providing a cohesive and structured layout.

OWL is a Barcelona-based design studio led by Alfredo Lopez, which designs and manufactures unique furniture and objects, mainly but not exclusively in wood. As a practice, OWL understands its furniture collections as series and therefore objects in constant evolution, which allows them to adapt to different people, projects and spaces.

The new websites features an infinite home page scroll, an interactive archive gallery and 3D furniture which you can place in your homes with AR technology.

Simone Sniekers is a fashion editor and creative producer based in Amsterdam. She focusses on bringing different disciplines together such as art, fashion and technology.

Designed the new portfolio for Arvin Leeuwis, a creative technologist at heart, Leeuwis translates ideas and brands into digital experiences. After several years as a creative developer, Arvin now works as a freelance creative technologist–creating animations, websites and motion graphics for various purposes.

Seen is an internal initiative that began a year and a half ago, against the backdrop of pandemic-triggered racism against Asians.

Through a collection of personal conversations between Asian practitioners within BB and beyond, the project explores the interplay between race, ethnicity, and our creative practices and careers in the design industry.

Designed the new website together with the team. Bakken & Bæck is a technology-driven design studio based in Oslo, Bonn, Amsterdam, and London.

Digital designer on the project

A website for Julidans, the international festival for contemporary dance in Amsterdam. Julidans presents the great masters and the enfants terribles of contemporary dance. As leading organisation for contemporary dance you need an UX concept that is innovative and accessible for everyone at the same time. Existing users should be able to find shows just as easy as new contemporary dance visitors.

A new digital plaform. Eye Filmmuseum is a film archive and museum in Amsterdam that preserves and presents both Dutch and foreign films screened in the Netherlands.

A website for De School. De School is a 24-hours licensed initiative in Amsterdam-West, open 7 days a week as a club, a music venue, a restaurant, a cafe and an exhibition space. The homepage highlights the club programme and editorial news items about the artists and the club itself. The structure of the website is simple, The Club, Café DS, Restaurant DS and Het Gymlokaal had their own landingpage. This made it easy for all target groups to find their home on the website.

A new portfolio for photographer and art director Lieke van der Wel

Creative Director of record label EMPAM by Malin Genie

"...The things that gravitated me towards it were Tamagotchis, game consoles, and other tech gadgets"

"Through the format of direct messages, Seen not only communicates a typically heavy topic with a playful and nuanced approach, but also expresses the complex and multi-faceted theme of identity with creative flair and authenticity."

“How do we make it cuter?”: Seen uses soft Y2K aesthetics to welcome users into an ongoing conversation about Asian identity in the creative industry.