Work Experience
Leading marketing, strategy, and product design at a 7-person startup creating an innovative 3D drawing app. My work is very hands-on – some days I’m running social media and helping clients; others I’m in Figma designing interfaces or doing project management and QA alongside our engineering team.
Spearheaded our TikTok + Instagram debut strategy, which increased our userbase from 1k to 400k and grew our social audience from zero to 200k followers in the span of a year. Filmed videos, wrote copy and helped with product planning. Worked on collaborations with Apple and the NFL.
Led an undergraduate design collective working on branding projects for Yale orgs & startups. Organized events exploring practice & industry across branding, product design & print.
Small Foot is a Bulgarian startup that makes the world’s first inflatable snowshoes. I was in charge of comms + graphics for our successful Kickstarter campaign, filmed product videos & led a full website redesign.
Education
At Yale I studied the intersection of computer music, internet culture, and creative tech. Recipient of the Pauli Murray Arts Award and the Marina Ledkovsky Prize.
Side Projects
Four laptop music performances with a custom SuperCollider synth controlled by the active processes on your computer.
Soundtrack for the experimental dance performance SHIFT. Accompanied by a 30-minute music video I created by analyzing a recording of the dancers using a pose estimation model.
Email newsletter about Bulgarian internet culture. I analyze upcoming trends, forgotten websites and rare music from the region.
12-track plunderphonics concept album about Bulgaria, internet culture, nostalgia and the remnants of socialism. Featured in The Yale Herald, Capital and the albums of the year of the Bulgarian Music Association.
The Drum/Drama Machine is a hybrid drum machine and drone generator. Powered by a Bela board and coded in Pure Data.
Exhibitions
Site-specific installation for the bathroom of KO-OP - a music album that samples rare Bulgarian songs. It turns the public toilet into a space for music discovery: an antithesis to streaming platforms. I've placed contact microphones on the toilet and the sink, which stop the music once they detect a sound. By "playing" the water, the visitor feels the temporality of music and the fragility of archives.
Kosmos? is a generative art project exploring the hauntology of the iconic Bulgarian science magazine Kosmos. I created a large wall of "new" magazine covers by training a neural network on 250 magazine covers.
Writing
What happens when a country’s internet domain outlives the nation? I wrote about the history of .yu, the domain name for Yugoslavia, which outlived the country by two decades. The domain's fascinating afterlife and tragic death stir up questions about the historical significance and preservation of the internet that feel relevant to this day.
Chalga is an important part of Bulgarian music history, but the genre is still not taken seriously in its home country. Documentation and archival efforts often come from abroad.
Such is the case with Lost Chalga – a Facebook page and YouTube channel dedicated to preserving rare retro chalga records. We had a fascinating conversation about ripping rare cassette tapes; fighting YouTube’s copyright system; Andrea’s best lyrics and more.
Features
"Listening to Ramonia, one experiences second-hand the pleasures of picking through old material and finding the hilarious obscurities and hidden gems. Kolev grapples with the anxieties of the digital present, but he also explores the wonderful pleasures it affords us—the ability to look back upon the past and find its treasures, to let the old rhythms of disco move our hips and maybe even bring us close again."