pushing pixels 🔹 moving keyframes
Side Projects
✦ Cavalry experiments late 2024
2024 was a whirlwind — a year full of experiments, changes, challenges, and growth. Most of my creative energy this year went into exploring Cavalry, diving into personal projects, playing with shapes, motion, and colors.
It’s been a year of finding balance, learning to take a pause when needed, and using that space to reflect and recharge. It’s also been about expressing myself and continuing to push towards finding a personal and unique style.
This year taught me to pause, appreciate what I’ve created, and find joy in the progress — without always chasing the next big goal.
Thanks for being part of this year’s journey.
See you all in 2025. Bye for now!
✦ I started learning Cavalry at the beginning of this year, driven by a curiosity to explore and master new creative tools. It's been an incredible journey so far, I love how Cavalry empowers me to push the boundaries of my craft.
Gradients for an app. A concept that was never approved but I still love it.
The goal: explore the depth you can achieve with minimal palettes.
A yearly open call that explores the creative boundaries of letterforms by challenging participants to design a letter or number each day for 36 days.
Projects
I created a set of short animated ads for Nordic design agency Klingit.
There is a competition called the Golden Egg In Sweden - an award advertising agencies receive for the best advertising ideas. Klingit is a different kind of agency that doesn't spend time trying to win awards like these!
Redesign of a personal project 'Open City' - template in glitch style with Japanese aesthetics.
Work Experience
A mission-driven tech startup studio.
Incubating digital public goods to defend civil liberties.
Motion graphics, animations, lottie and video editions for fintech crypto start-up.
Designer at a fully remote tech-enabled design company. 2D animations, storyboarding, motion graphics, typography.